Wednesday, January 18, 2012

Tarot...

(NOTE:  All Tarot Decks of which I have featured cards from in this post (except the Visconti cards, obviously) are included on my Amazon.com links page for purchase.  If you are interested in taking a closer look/buying any of the decks, please go to my Amazon.com links page, and look at top box.)


You enter the doorway of a small dark room, its walls curtained with a collection of drapery.  Various rugs and cushions cover the floor.  The dimly lit interior is illuminated by a collection of candles, balls of light dotting the room. The musky scent of sandalwood drifts through the air.  A woman wrapped in a shawl, a many colored scarf tied around her thick black hair, sits idly at a round table at the rooms' center.  Her creased visage studies you, her eyes filled with dark mystery.  On the table before her is a stack of ornately designed cards.  With gnarled fingers she proceeds to shuffle the deck.  The gypsy fortune teller waits patiently for your question.  Gesturing with a feeble hand, she beckons you to the empty chair...


Divination.  Fortune Telling.  The art of 'Cartomancy'.  Mention the Tarot to someone, and I am sure most people would envision a gypsy fortune teller pouring over a card spread. In many ways the Tarot are associated with mysticism and the occult, but they actually have different uses and interpretations that span many forms of spiritualism.  In fact, the Tarot started as playing cards for nobility.   The first decks are traceable back to 15th century Italy when the Visconti family commissioned the creation of the first 3 decks known as the "Visconti Trumps".   These decks are regarded as the forefathers of the Tarot decks of today.

(Hand painted 'The Lovers' card from the Visconti)
In the latter half of the 15th century, card makers in Marseilles, France, started to standardize "Trumps" (what those original decks were called...the name reflected their use as playing cards).  Before that, people who played Trumps could dictate which cards to include/exclude, or substitute in their deck.  These early decks were hand painted, and the oldest deck in existence today is said to be the Cary Yale Visconti, one of the Visconti family decks.  Only 67 cards remain.
(Left:  Visconti 'Devil'; Center:  Visconti 'Tower'; Right:  Visconti 'Death")
There are three of the original Trump (Major Arcana) cards that were deemed offensive by nobles.  The 'Tower', 'Devil', and 'Death' cards.  The distaste for these three caused an attempt by religious leaders of the time to ban the use of Trump cards.  Between 1450 and 1470, the first references of the cards in sermon form are from Italy when a Franciscan Friar condemned the use of the cards.  He stated that the Trumps were created and named by the Devil himself, and that the Devil had triumphed over the cards users as the players lost their souls to him.  The use of Trumps would die off a bit.

(Left:  Antoine Court de Gebelin; Right:  Thoth)
Then a Tarot rebirth happened.  In the year 1781, Antoine Court de Gebelin is attributed to introducing the cards for use as a divination tool.  De Gebelin believed that he was Egyptian by origin, and that there was a symbolism in the Trumps that contained mystical knowledge that was purposefully put there. His theory was that the cards held the key to lost magical wisdom as written by the Egyptian God, Thoth.  It was at this point that the Trumps started to evolve. Various card changes of the time have been attributed to various secret societies who produced decks of their own.

(Left:  Jean-Baptiste Alliette; Right:  Ettiella Deck)
The first account of cards being used for divination is attributed to cartomancer (card reader), Jean-Baptiste Alliette, in the year 1770.  Alliette is also known by the name Ettiella.  He was the first to publish meanings for the cards, 33 cards (32 + 1 for the querent) being included in his edition.


The creation of Ettiella's deck and the accompanying published work on the use of the cards, coincided with the theory of de Gebelin.  Then in the year 1799, when the Rosetta Stone was discovered, de Gebelin's belief was proved false.  De Gebelin's theory that the Trumps were Egyptian in origin was unsubstantiated. The belief would live on though.  De Gebelin's theory would be strengthened by the introduction of a notion.  The notion that Romany people/Gypsies, believed to be of Egyptian descent, traveled throughout Europe with decks in tow.
(Left:  Eliphas Levi; Right: Tree Of Life)
The trail of the Tarot now jumps ahead to the 19th century, to famous occultist, Eliphas Levi.  He developed a correlation between the Kaballah and the Tarot, which did establish that the symbolism of the Tarot crossed boundaries. Originating in Israel, Levi sparked a new belief in the Tarot, and the cards were thought to hold wisdom of the 'Tree of Life'.  With no facts to support it, this new theory listed 78 cards as keys to the mysteries.  Esoteric/magical groups acknowledged that the knowledge contained in the Tarot held significance in every mystical path.  A number of groups (the 'Theosophical Society', 'Hermetic Order Of The Golden Dawn', and the 'Rosicrucians' to name a few) would help cement Tarot's position in both the 19th and 20th centuries.

(Left:  Arthur Edward Waite; Right:  Pamela Colman Smith)
As far as the Tarot's place in the United States, it would gain popularity in the 1960's as part of the period of spiritual exploration that occurred.  In the 20th century, we come to a man whose name is rather synonymous with the more modern Tarot.  Credited with the 20th century renaissance of the Tarot, Arthur Edward Waite would commission artist, Pamela Colman Smith, to create the "rectified" Tarot.  Widely accepted as the standard, Waite's version was and is by far the most popular Tarot deck.  This is mainly due to the cards' symbolism and comprehensive design.

(Some cards from the Waite Deck as drawn by Smith)
Pamela Colman Smith did make a significant change to the design of the "pip" cards (Minor Arcana).  Her designs are more illustrative of the cards meanings.  Her drawings are easily understood by the layman when a reader is explaining a cards' significance.  Smith's design would set the standard, decks designed by others echoing hers.


Today there are many different decks to serve just about any purpose.  I own several, the Aquarian deck being my favorite.  The cards adorned with beautiful artwork by artist David Pallidini, and the accompanying book "Psychic Tarot", are also rather comprehensive.  I have had a few friends over the years who prefer the Aquarian deck, as well.  There is a Waite deck among my collection, it being the small version...what I refer to as "travel size".  In many respects I am still learning how to interpret what the cards have to tell, but I have learned quite a lot up to this point.  Yes, most cards have images that tell you what the card is about through the artwork, but as mentioned earlier, reading the cards is also up to the individual interpretation of the reader/cartomancer.  I have always found the Tarot both interesting, and intriguing.
(To show the diversity of Tarot designs, here are some different 'Ace of Cups' cards.
Far left:  Wizards Tarot, by Corrine Kenner & John Blumen; Center Left:  Mystic Faerie Tarot, by Barbara Moore;
Center Right:  Gothic Tarot, by Joseph Vargo; Far Right:  Revelations Tarot, by Zach Wong)
Your average Tarot deck is made up of five "sections", if you will.  The Major Arcana consisting of 22 cards, and four suits of "pip" cards, a.k.a. the Minor Arcana, each made up of 14 cards.  The 'Majors' address the human condition.  They cover the span of the lifetime, and deal with our experienced joys and sorrows.  The 'Minors' each represent a specific element, and the various nuances of experiences attached.  As I mentioned, there are a lot of different decks that focus on different subjects, or areas.  With each deck there is a core that a reader/cartomancer starts from, the 'black and white' of the reading leading into the individual interpretations and impressions felt by the reader.  I am going to leave the major Arcana for another post, and touch on the basic background information contained in the four suits of the Minor Arcana.  In this post, I will be touching on the suits as Cups, Pentacles, Swords, and Wands.
CUPS
("3 of Cups" - Shadowscape Tarot, by Stephanie Pui-Mun Law)
Element:  Water
("3 of Cups" - Faerie Tarot,
by Nathalie Hertz)
The suit of Cups deals with the emotional.  It travels the emotional landscape, and delves into the territory of love, and the relationships within the family.  The Cups are connected with the soul, and its journey. Reflecting the emotional, they can show us wounds we have endured, past traumas that have had effect on our lives and the way we perceive things, or they can show us what emotional gifts we can bestow on others.  Are we moving unimpeded through life, or are there roadblocks?  Are we receiving enough energy to grow emotionally, or are we floundering due to short supply?  Water represents the unconscious.  Intuition and dreams.  The Cups can be a mirror, showing us what we haven't been able to see.


WANDS
("4 of Wands" - Deviant Moon Tarot, by Patrick Valenza) 
Element:  Fire
("Ace of Wands" -
Vertigo Tarot, by
Dave McKean)
Wands are about action and direction.  They are associated with passion, and the issues of sexuality and fertility.  If Wands come up in a 'Love' spread, they can offer insight into an existing relationship.  They can also represent relationships not yet realized.  On one hand, Wands can represent loves intention, inform as to querents need to initiate or act in specific ways within a relationship, or querents/partners 'sex drive'.  On the other hand, they can represent a querents/partners disinterest, and cheating behavior.  The appearance of Wands in a 'Love' spread can be very powerful.    

Wands also represents creativity and the imagination. They shine light on our resourceful aspects.  They can give insight into ones' career.  Maybe you need to re-evaluate a vocation, and make some needed changes?  Maybe you just need to look at the big picture, and weigh your options?  The Wands represent enthusiasm.  They place great value on balance.
PENTACLES
("6 of Pentacles" - Baroque Bohemian Cats Tarot, by Alex Ukolov & Karen Mahony)  
("7 of Pentacles" -
Thoth Tarot, by
Aleister Crowley)
Element:  Earth
The suit of Pentacles represents the physical, the material.  Security, and stability.  What you have gained financially, and what you will gain.  The fruits of ones' labor.  Pentacles also symbolize Gaia...Mother Earth.  Fertility, and growth.  Can represent money changing hands through business or inheritance. They can represent property owned and to be potentially gained; banking matters; a promotion, or new job on the horizon.  Issues dealt with can be those of commitment and trust.    Maybe there is a need for querent to show some generosity, and do act of charity or kindness?  They also can represent the physical body, and issues of a health nature.



SWORDS
("2 of Swords" - Joie de Vivre Tarot, by Paulina Cassidy)
Element:  Air
("Queen of Swords" -
Bohemian Gothic Tarot,
by Karen Mahony & Alex Ukolov)
The sharp edged Swords cut straight to the heart of an issue, no matter the feelings associated with it.  They deal from the realm of the mind, and don't always deal directly with the facts of a situation.  They address life obstacles and challenges.  Unsympathetic at times, they can cut through repression or denial to give clarity to issues that must be dealt with.  Can reveal matters in ways that demand new spiritual awareness, no matter what pain may be associated with conscious change.  Their realm is the intellectual.  They call for new clarity.  The Swords symbolize truth, and like their blade, that truth can be double edged.  They can cast new light on a subject, as well as break it asunder.   The swords represent the call for strong action, or renewed clarity.

They also can serve as a warning, to alert querent about miscommunication or acts of aggression.  The Swords can also indicate emotional turmoil, or illness.
Again, the Tarot are in many respects an interpretation based divination form. There are the basic meanings traveling hand-in-hand with the impressions the cartomancer receives.  Most of my readings over the last number of years were performed by a friend who is really good at the art of cartomancy.  Very insightful, and amazingly accurate on issues of a past, present, and future nature.  I also had a few readings done at a shop I frequented when I lived in Los Angeles, CA, called 'The Psychic Eye' (there's a link on my 'Links' page).   It's a wonderful metaphysical shop carrying a wide variety of goods.  I wasn't satisfied with all of my readings there, but that's the way it goes sometimes.

If you have never had a reading but want to, try to get a recommendation from someone you know.  If you don't know anyone to refer you then try one out.  I recommend my approach of volunteering as little info as possible, and a pad and pen for note taking.

Give it a go...it can be a real learning experience on many levels.

Monday, January 9, 2012

First Full Moon Of 2012...

(Photo: Lisa Erin Brown)
"That orbed maiden
With white fire laden
Whom mortals call the moon"

~ Percy Bythe Shelley

Tonight's Full Moon was shining brightly in the sky.  No clouds to cast a veil, or to shroud it.  Just the Moon. White and round, hanging in the night.  It was quite beautiful.

(Photo: Lisa Erin Brown)
I was having techincal difficulties as I took these shots.  Both with the camera and with myself.  High above, the Moon shone from an impossible angle, from overhead.  Not agreeable to a tripod's use.  That coupled with my dull aches and pains...well, it just wasn't a scenario conducive to clear and steady photographs.

(Photo: Lisa Erin Brown)
However, I do like the tunnel effect the leaves on the tree just outside my front door created, so all is not lost.  As has become my custom, I took pictures of the Full Moon.  That's good enough for me.

(Photo: Lisa Erin Brown)
Next go round I'll be sure to view it during it's rise...

"If I was the Moon, I'd feel bad.
We never write.
We never call.
And we certainly don't come for a visit anymore."
~ James Lileks



Saturday, January 7, 2012

Happy 100th, Mr. Addams...


Anyone who has used Google today (and I would imagine that would be a considerable number of people) knows that it is the anniversary of Charles Addams 100th birthday.  Had the fine folks at Google not alerted me to the fact, I most likely would have gone about my day oblivious.  Thankfully I did venture onto Google.  Message received.  Since I was having another one of my sleepless nights, I saw the Addams Family modeled lettering that gave one the news (if only they moved their cursor over it) in the wee-est of wee hours.  It was extremely close to the witching hour...no more than a half-hour past. Since seeing the familiar Family artwork molded into the Google letters, I have been simmering on it.  Thinking fondly of the Addams Family I grew up with, in its various forms...Television show, Saturday morning cartoon, and of course the films.  I spent the majority of my simmer on the original form.  The artfully drawn cartoons that appeared for years in the New Yorker magazine.  The cartoons and the man that created them, Charles Addams.


Although a fan of his artwork on the whole (he did draw pieces that did not include the Addams Family), Gomez, Morticia, and family have always been my favorite.  (note:  For the next time you play Trivial Pursuit, the family didn't have names...the names were created when the television show came around.)  Oddly enough I have been a fan of Mr. Addams work for years, but know very little about him.  Considering what day this is, I figured the time was ripe for reading a bio or two.

(AP Photo / Ron Frehm)
Most of the bio's online read very much alike.  The same information is basically there, some sites expounding a bit more than others.  Not to sound disrespectful to Charles, I was very relieved that most were rather short. Condensed.  They gave the usual 'born here-schooled there' tidbits, but there were a few bits of 'color', too.  Charles Samuel Addams, "Chill" to his pals (I love that...makes me really wish I had met the man), was born January 7, 1912, and grew up in Westfield, New Jersey.  I have never been to New Jersey.  Not that that little factoid adds anything here.  He attended public school in Westfield, and...I really like this...he was quite fond of visiting a Presbyterian cemetery on Mountain Avenue.  No idea where that is, but I do know the interest in visiting cemeteries (the evidence is here in my blog). Fascinating places filled with calm...great for clearing the head, and maybe even generating some story ideas.  If you are a writer, that is.  Here is another bit I especially like.  As a young boy, Charles was apprehended by police for breaking into a house on Dudley Avenue.  In the garage behind the main house on the floor of the second floor is a chalk drawing of a skeleton believed to be the artful work of Mr. Addams.  It was this Dudley house that would serve as a source of inspiration for the Addams Family house...the fictitious Addams family, that is.  Charles attended Westfield High, was art editor for what I can only imagine as the school literary magazine, a publication called the "Weather Vane".  Of course he drew many cartoons for the 'zine.  He attended a couple of colleges (yes, I am glossing over some stuff here), and ended up at the Grand Central School of Art in New York City.  Charles dreamed of working for the New Yorker.  He would start submitting cartoons to them in 1935.  In 1940 they finally wised up and asked him to work for them full time.  Charles Addams would work for the New Yorker until his death on September 9, 1988. During his time at the magazine he is said to have drawn over 1,300 cartoons.

I selected some of my favorites of the (Addams) Family to finish things off.  I have always thought they seemed like such lovely people.  Really.  I remember when I was a child, I wished that I could live in a house with the Addams Family living on one side, and the Munsters living on the other.  No way that life would be boring...


Happy posthumous birthday...Chill...


(The ones with captions are a tad hard to read, so I will include them below the panel where needed.)



"It's the children, darling - back from camp."

"Darling"


"Just the kind of day that makes you feel good to be alive."
(My favorite because I know just how he feels.)

Friday, January 6, 2012

Bonaventure...

(Photo: Lisa Erin Brown)
It had been several days since I had gone out for some photo taking time.  It is the times when I let several days pass without venturing into the outside world that I realize just how vital those therapeutic trips are to my sanity.  Not only do I go through much needed head clearings, I absorb the revitalizing energy of nature.

(Photo: Lisa Erin Brown)
Today's foray would involve a short trip to the Bonaventure Cemetery.  It is one of my two favorite cemeteries here in Savannah (the other being Laurel Grove).  Even though I have been to the Bonaventure several times, I always see something new, or see some of the same headstones and statues in a new way.  It being a weekday, I figured I would take advantage of the time before the weekend arrived as I figured it would be quite empty.  Of the living. It turned out to be just the opposite.  I passed several small groups of visitors, most seeming to be tourists from the brochures in their hands (they must have picked them up at the office by the main entrance), or by the way they collected around the more popular locations.

(Photo: Lisa Erin Brown)
The resting place of little Gracie, a.k.a. Little Gracie Watson, is a big tourist fave.  Her father managed a Savannah hotel called the Pulaski House in the late 1800's.  Gracie was a favorite of the guests.  She died in 1889 of pneumonia at the age of six.  One of the more famous Savannah natives buried in the Bonaventure is American lyricist, composer, and singer, Johnny Mercer.  Some of his well known pieces are "Moon River", "Black Magic", "Ac-cen-tchu-ate the Positive", and my personal favorite "Autumn Leaves".  I was going to pass his plot on my route, and planned to get some photos, but the "corporeal entities" hanging around were collecting there.  I took a detour.

(Photo: Lisa Erin Brown)
(Photo: Lisa Erin Brown)
Right next to Little Gracie is my favorite statue in the whole place.  An angel. Whenever I pass through the Bonaventure, I have to stop by and pay my respects.  Such a beautiful grave marker.  It seems that either family members, or someone else who holds the stone lady in high regard had visited prior.  There was a bunch of dried roses tied with a white ribbon in the statues hand. Two green glass 'stones' sat nearby.

(Photo: Lisa Erin Brown)
Leaving a stone at someones' resting place is common here in the South, and I am certain it is other places, as well.  I am told that the stone is supposed to be a family member or well wisher's 'calling card', so to speak.  It says that they had been by.

(Photo: Lisa Erin Brown)
The sun was quite bright as it was mid-afternoon, so there were several shots I would have liked to take, but the sun's rays in my eyes made framing anything pretty difficult.  On several, I had to just point, press the button, and hope for the best.  Amazingly enough, most turned out okay.

(Photo: Lisa Erin Brown)
Usually when I visit there I see quite a few squirrels scampering around, but today I heard wildlife more than I saw it.  Lots of rustlings in bushes and the collection of leaves and twigs littering the ground.  I did hear a woodpecker high up in a tree thudding out what sounded like Morse Code on the hard wood of the tree.

(Photo: Lisa Erin Brown)
(Some large gears on the remains of the old water works for the cemetery.)
The temperatures were in the mid-60's, so it was a really lovely day.  Had it been closer to 40, like it had been the previous few days, I still would have gone.  There is such an intense sense of peace and calm in a cemetery. Beauty can also be found there.  The older the cemetery the better.  That may sound odd to some, but I know that others know exactly what I mean.

Wednesday, January 4, 2012

Full Moon In Cancer, January 8th & 9th...

(Artist: David Palladini)
(note:  I have listed some definitions of a few of the terms in this post at the bottom of the post.  The defined words appear in bold italics.)

The next Full Moon is in the sign of Cancer, and will be at it's fullest on January 8th-9th.  It is the first Full Moon of the new year. The Moon governs over Cancer, so be prepared for the possibility of experiencing amplified sensitivity, to feel things more deeply.  During this cycle you may find yourself delving deeply into some specific personal territories:  your sense of where you come from, and your sense of belonging or 'feeling a part of';  family issues past and present; how to keep your emotions in check, and overall emotional security; where you stand in the professional world.  Heightened sensitivity is very probable if buttons are pushed, or if you are pulled out of your comfort zone.  Look to and listen to your feelings by looking inwardly rather than looking to those who are close.

Full Moons push your emotions right out front.  Lay it all out there, and take stock of things.  Be prepared for some things to come to an end, to finish.  This is the time to do a personal house cleaning.

In opposition to the Moon in Cancer, is the Sun in Capricorn.  Cancer is seated on the emotional/personal aspects, and Capricorn is seated on the physical/professional.  They have the potential to be at odds, and pull you in opposite directions.  They also have the potential to compliment one another if you strive for balance.  The two signs are ways in and out of incarnation (world of the flesh) on the deepest levels.  Cancer brings you into life and gets you in touch with your emotions.  Capricorn is about spreading your wings, urging you to take the proverbial leap of faith, and traveling new ground.  As emotional issues surface, you can gauge the order in which to address them by the level of sensitivity in which you react.  Both signs are cardinal, moving at their own pace, never staying in one place.  They exude patience, so try to tap into that energy.

There is a transiting Mercury in Capricorn that urges you to be practical, and to keep a nice balance with current energies of completion.  The Moon isn't quite as strong as the Mercury/Capricorn transit, but it will bring ignored dormant issues to the surface.  Take the opportunity to resolve them.

There is also a transiting Mars in Virgo. This is a golden opportunity with this harmonious aspect to the Moon, to zero in and spot those areas of your life you need to cleanse and heal.  The time could be ripe for an emotional detox.

Saturn in Libra is harmonious to Venus and Neptune which are in an Aquarius conjunction aspect.  There is the potential to make dreams a reality.

Jupiter in Taurus is in direct motion.  In the coming few months in the sign of Taurus, you can get an added boost on long term projects in your professional life.  Projects can be supported and enhanced.

The only conflicting aspect is a square between Mercury in Capricorn, and Uranus in Aries.  This combination can foster impatience, and a lack of focus.  Be sure to truly listen to others.

The combination of Cancer and Capricorn can lift any conflicts between your professional life and your home life to the surface.  Stay balanced and centered.  Take any of the appropriate past lessons you have learned to heart.  You may run into a road block here and there, or something might very well "short out", but don't let that prevent you from assessing any issues you have accumulated.  This is a prime time for doing a personal inventory, and getting organized.

Mars is approaching a Retrograde cycle on January 24th.  More to come on that.  :)






The following information about this full moon is from the Old Farmer's Almanac:

  • Full Wolf Moon - January:  "Amid the cold and deep snows of mid-winter, the wolf packs howled hungrily outside Indian villages.  Thus, the name for January's full Moon.  Sometimes it was also referred to as the Old Moon, or the Moon after Yule.  Some called it the Full Snow Moon, but most tribes applied that name to the next Moon." 


  • Aspects:   Planets within specific degrees of each other that create beneficial or negative attitudes, habits, and energy.

  • Cardinal:  The role of cardinal signs is to push through, be first, and initiate.  Cancer is the Cardinal Water sign.  It leads with the heart, and casts an emotional force to push into new territory.

  • Conjunction:  An aspect, it is usually helpful energy.  It creates self nurturing, inner strength, and ambition.  It can also create intensity, stress, and confusion.

  • Retrograde:  The appearance of a planet moving backward.  It creates frustration, delays, nervousness and the feelingthat the same or a similar experience is being repeated.

  • Square:  An aspect representing harsh energy.  It creates conflict, intensity, stress, the feeling of being out of balance.  It promotes self growth, and can be negative.

  • Transits:  The daily movements of the planets.  It influences a persons' moods or decisions.  Transits contribute to personal growth.